Lasercut plexiglass, Abode Illutrator drawings
Just as land art represents the landscape through the human lens, my work represents light through both the human and technological lenses. My work takes the element of light - an ephemeral, vast, difficult-to-grasp phenomena and solidifies it through technological means.
In the digital age, we habitually memorialize everything in our path with ease. We take photos of everything. This allows us to feel at ease in forgetting. We know that we can always pull out our devices to remember. My work asks its viewer to consider the appropriate balance between memory and forgetfulness.
My work investigates nature through the stratification of technological tools or lenses. The layers of technology I am using, those being first photography of light, then digitization of my drawings, then laser cutting, elicits this stratification. The natural light is seen through three layers of interpretation - my own, that of Adobe Illustrator and that of the laser cutter.
The ways in which technology affects natural phenomena is also deeply present in our ever-evolving notion of ‘natural beauty’. In this context, I am defining natural beauty as that which eliminates any distinction between the beautiful and the sublime. Natural beauty is not isolated from negativity. It is like the mother-of-pearl: awesome, baroque and rippling with its imperfect texture. By using technology to represent nature, I am challenging the notion that digital and natural beauty should always be defined in opposition to each other.